{"id":9177,"date":"2020-09-09T13:37:11","date_gmt":"2020-09-09T10:37:11","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=9177"},"modified":"2021-01-27T13:20:48","modified_gmt":"2021-01-27T11:20:48","slug":"choreografas-maciej-kuzminski-kad-uzciuoptume-savo-tapatybe-tektu-sustabdyti-laika","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2020\/09\/09\/choreografas-maciej-kuzminski-kad-uzciuoptume-savo-tapatybe-tektu-sustabdyti-laika\/","title":{"rendered":"Choreografas Maciej Ku\u017ami\u0144ski: \u201eKad u\u017e\u010diuoptume savo tapatyb\u0119, tekt\u0173 sustabdyti laik\u0105\u201c"},"content":{"rendered":"

Scenos men\u0173 pasaulis pama\u017eu gr\u012f\u017eta \u012f naujo sezono ritm\u0105 \u2013 ne tik kvie\u010dia \u012f rudeniui \u012fprastas premjeras, bet ir pristato tarptautinius k\u016brinius, kurie pastar\u0105j\u012f pusmet\u012f jau sp\u0117jo tapti egzotika. Vienas toki\u0173 \u2013 naujasis \u0160eiko \u0161okio teatro spektaklis \u201ei\u201c, kurio choreografij\u0105 suk\u016br\u0117 lenk\u0173 choreografas, prodiuseris ir atlik\u0117jas Maciej Ku\u017ami\u0144ski. \u012e spektaklio premjer\u0105 rugs\u0117jo 15 d. kvie\u010dia tarptautinis men\u0173 festivalis \u201ePlartforma\u201c, vykstantis Klaip\u0117dos mieste. Su M. Ku\u017ami\u0144ski kalbam\u0117s apie spektaklio k\u016brim\u0105 netradicin\u0117mis s\u0105lygomis, realybe tapus\u012f futurizm\u0105 ir jo perteikim\u0105 scenoje. <\/p>\n

\"\"<\/a>
\nMaciej Kuzminski \/ Nuotrauka: A. Joachimiak<\/em><\/p>\n

\u2013 Su \u0160eiko \u0161okio teatru dirbate pirm\u0105 kart\u0105. Nuo ko prasid\u0117jo \u0161is bendradarbiavimas?<\/strong><\/em><\/p>\n

Maciej Ku\u017ami\u0144ski<\/strong>: D\u0117l u\u017esimezgusio bendradarbiavimo tur\u0117tume d\u0117koti \u0160eiko \u0161okio teatro \u0161ok\u0117jui Niels Claes. Prie\u0161 kelet\u0105 met\u0173 jis \u0161oko Lenkijos \u0161okio teatre, kuriame a\u0161 tuo metu dirbau pedagogo darb\u0105. Jam patiko mano vedami mokymai, tad suman\u0117 pakviesti mane \u012f Klaip\u0117d\u0105. \u0160eiko \u0161okio teatrui id\u0117ja patiko, buvau pakviestas vesti k\u016brybines dirbtuves pra\u0117jus\u012f gruod\u012f. Taip ir susipa\u017einome. \u0160okio edukacijos metu prad\u0117jome kalb\u0117tis apie galimyb\u0119 vystyti bendr\u0105 projekt\u0105. Mintyse tur\u0117jau kelet\u0105 id\u0117j\u0173, tad j\u0173 ir \u0117m\u0117m\u0117s. <\/p>\n

\u2013 Prie naujojo spektaklio su lietuvi\u0173 ir lenk\u0173 \u0161ok\u0117jais Jums teko dirbti karantino metu. Kaip pra\u0117jo \u0161is procesas? <\/em><\/strong><\/p>\n

M. K.<\/strong>: I\u0161 ties\u0173, \u0161io spektaklio premjera tur\u0117jo \u012fvykti Nyderlanduose, gegu\u017e\u0117s m\u0117nes\u012f. Ta\u010diau pasaul\u012f i\u0161tikus pandemijai visk\u0105 teko nukelti ir pergalvoti, reik\u0117jo perplanuoti vis\u0105 repeticij\u0173 ir pasiruo\u0161imo grafik\u0105. Pirmosios \u0161io projekto repeticijos \u012fvyko virtualioje erdv\u0117je. Jausmas buvo keistas. Nuotoliniu b\u016bdu reik\u0117jo dirbti su \u0161e\u0161i\u0173 \u0161ok\u0117j\u0173 grupe ir dramaturgu. Kart\u0105 per savait\u0119 visi susitikdavome virtualiai, taip pat \u0161ok\u0117jus konsultuodavau individualiai. <\/p>\n

\"\"<\/a>
\nAkimirka i\u0161 spektaklio \u201ei\u201c repeticijos \/ Nuotrauka: Dragan Jereminov<\/em><\/p>\n

Tuo pa\u010diu procesas i\u0161\u0117jo labai atviras, \u0161ok\u0117jai tur\u0117jo daug laiko pagalvoti, k\u0105 nor\u0117t\u0173 daryti, paskaityti, pam\u0105styti. Tad manau, \u0161i situacija tur\u0117jo ir pozityvi\u0105 pus\u0119. <\/p>\n

Daug palaikymo suteik\u0117 \u0160eiko \u0161okio teatro meno vadov\u0117 Agnija \u0160eiko ir prodiuser\u0117 Goda Giedraityt\u0117. Su kokiais sunkumais besusid\u016br\u0117me, nuo pat prad\u017ei\u0173 tik\u0117jome \u0161iuo projektu. Klausimas buvo ne ar jis \u012fvyks, bet kada.<\/p>\n

\u2013 Pakalb\u0117kime apie pat\u012f k\u016brin\u012f. Jo pavadinimas \u201ei\u201c i\u0161 pirmo \u017evilgsnio sufleruoja ka\u017ek\u0105 labai asmeni\u0161ko. Ar taip ir yra? <\/em><\/strong><\/p>\n

M. K.<\/strong>: I\u0161 dalies, taip \u2013 \u0161is k\u016brinys yra kelion\u0117 \u012f save. Ta\u010diau tai labiau egzistencinis, nei biografinis darbas. Jame klausiame, k\u0105 rei\u0161kia b\u016bti \u017emogumi, kaip mokslas mums padeda per\u017eengti savo b\u016bties ribas, nagrin\u0117jame transhumanizmo tem\u0105. Juk \u017emogaus ribas mes per\u017eengiame nuolat \u2013 \u0161tai ir \u0161iandien, s\u0117d\u0117damas Klaip\u0117doje, kalb\u0117jausi su Lenkijoje esan\u010dia savo dukra. Tai irgi yra \u017emogaus rib\u0173 per\u017eengimas, nors ir tap\u0119s mums \u012fprastu.<\/p>\n

\u2013 Atrodo, transhumanizmo temas da\u017eniausiai sutinkame mokslin\u0117s fantastikos knygose, video \u017eaidimuose ir filmuose. Kaip toki\u0105 tem\u0105 perteikti scenoje?<\/strong><\/em><\/p>\n

M. K.<\/strong>: Labai m\u0117gstu mokslin\u0119 fantastik\u0105, bet ne d\u0117l \u0161viesos kard\u0173 ar kosmini\u0173 laiv\u0173, o tod\u0117l, kad ji visada atsiremia \u012f egzistencinius apm\u0105stymus. Nesvarbu, ar tai Stanislavo Lemo knygos, tokie filmai, kaip \u201eB\u0117gantis skustuvo a\u0161menimis\u201c (\u201eBlade Runner\u201c) ar seniausios \u201e\u017dvaig\u017ed\u017ei\u0173 kelio\u201c (\u201eStart Treck\u201c) serijos \u2013 \u0161ie k\u016briniai yra apie \u017emonij\u0105, jos tro\u0161kimus ir progres\u0105. Nenoriu ir \u0161io spektaklio traktuoti tik kaip mokslin\u0117s fantastikos k\u016brinio. Taip, spektaklio kostiumai atrodo lyg i\u0161 fantastikos pasaulio, ta\u010diau darbas labiau siejasi su vidine \u017emogaus kelione, asmenyb\u0117s filosofija. Vis\u0105 veid\u0105 dengiantys kostiumai, dabartin\u0117s Covid-19 situacijos kontekste, spektakliui suteikia dar vien\u0105 papildom\u0105 sluoksn\u012f ir sustiprina m\u016bs\u0173 keliamus klausimus \u2013 k\u0105 rei\u0161kia b\u016bti \u017emogumi \u0161iandien, kas mus riboja ir kaip galime tai \u012fveikti?<\/p>\n

\"\"<\/a>
\nAkimirka i\u0161 spektaklio \u201ei\u201c repeticijos \/ Nuotrauka: Dragan Jereminov<\/em><\/p>\n

Vienas svarbiausi\u0173 dalyk\u0173, padedan\u010di\u0173 id\u0117jas perteikti teatro ir \u0161okio scenoje \u2013 \u017emogaus k\u016bnas. Tai \u2013 pagrindin\u0117 k\u016brybin\u0117 med\u017eiaga, pagrindin\u0117 reik\u0161mi\u0173 ne\u0161\u0117ja. Viskas, kas scenoje daroma su k\u016bnu yra itin asmeni\u0161ka, ta\u010diau tuo pa\u010diu metu ir labai universalu, nes k\u016bnas yra vienintelis mus visus siejantis dalykas. Galime kalb\u0117ti skirtingomis kalbomis, bet visi turime k\u016bnus.<\/p>\n

\u2013 O k\u0105 J\u016bs pats manote apie transhumanizm\u0105? K\u0105 Jums asmeni\u0161kai rei\u0161kia \u0161i tema?<\/strong><\/em><\/p>\n

M. K.<\/strong>: Transhumanizmas man n\u0117ra fantastin\u0117 ateitis \u2013 viskas vyksta jau dabar. Manau, \u0161iandien itin ry\u0161k\u016bs kart\u0173 skirtumai. Vos trylika met\u0173 u\u017e mane jaunesnio brolio kartai jau lengviau bendrauti su draugais telefonu, nei gyvai. Tik trylika met\u0173, o jausmas toks, lyg tai b\u016bt\u0173 visas \u0161imtmetis! Telefonas tapo asmeni\u0161kiausiu \u017emogaus turimu daiktu \u2013 ne, tai nebe j\u016bs\u0173 apatiniai, o telefonas. Pasaulis kei\u010diasi ir vystosi beproti\u0161ku grei\u010diu, o mes esame priversti su tuo susitvarkyti. Neb\u0117ra jokio \u201ea\u0161\u201c, tapatyb\u0117 nebeegzistuoja. Manau, tam, kad gal\u0117tume u\u017e\u010diuopti savo tapatyb\u0119, tekt\u0173 sustabdyti laik\u0105. <\/p>\n

\"\"<\/a>
\nAkimirka i\u0161 spektaklio \u201ei\u201c repeticijos \/ Nuotrauka: Dragan Jereminov<\/em><\/p>\n

\u2013 Spektaklio apra\u0161yme minima, kad jis balansuos tarp scenos ir vizualiojo meno. Kaip atrodys \u0161is balansas?<\/strong><\/em><\/p>\n

M. K.<\/strong>: Pirmiausia svarbu pamin\u0117ti, kad tuo metu, kai k\u016br\u0117me scenai skirt\u0105 pasirodym\u0105, mes suk\u016br\u0117me ir menin\u0119 instaliacij\u0105, skirt\u0105 atvirai erdvei. Ji turi kit\u0105 pavadinim\u0105, ta\u010diau joje naudojame tuos pa\u010dius kostiumus. Tai \u2013 tiesiog kita tos pa\u010dios temos interpretacija. \u0160i\u0105 instaliacij\u0105 Klaip\u0117dos mieste bus galima pamatyti visus metus, taip pat prie\u0161 ir po spektakli\u0173.<\/p>\n

Gr\u012f\u017etant prie spektaklio \u2013 mums svarbu, kaip \u0161is k\u016brinys kalba vaizdu. Vietoje to, kad kliautum\u0117m\u0117s tik \u0161okiu, siu\u017eetu ar tekstu, mes da\u017enai kliaujam\u0117s b\u016btent vaizdais. Tad spektaklyje jie tampa tokie pat svarb\u016bs, kaip ir k\u016bnas bei judesys.<\/p>\n

\"\"<\/a>
\nAkimirka i\u0161 spektaklio \u201ei\u201c repeticijos \/ Nuotrauka: Dragan Jereminov<\/em><\/p>\n

\u2013 Koki\u0105 auditorij\u0105 labiausiai kvie\u010diate pamatyti \u0161\u012f spektakl\u012f ir k\u0105 nor\u0117tum\u0117te, kad ji patirt\u0173?<\/strong><\/em><\/p>\n

M. K.<\/strong>: Kaip visada, nor\u0117\u010diau, kad \u017ei\u016brovas \u012f mano spektakl\u012f eit\u0173 kuo atviresnis. Kadangi spektaklis toks vizualus, \u017ei\u016brovams linkiu leisti sau pasinerti \u012f apm\u0105stymus apie tai, kas vyksta prie\u0161ais j\u0173 akis. <\/p>\n

______<\/p>\n

Projekt\u0105 \u201e\u0160okio, cirko aktualijos: analiz\u0117, naujienos, ugdymas\u201c dalinai finansuoja Spaudos, radijo ir televizijos r\u0117mimo fondas.<\/p>\n

\"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Scenos men\u0173 pasaulis pama\u017eu gr\u012f\u017eta \u012f naujo sezono ritm\u0105 \u2013 ne tik kvie\u010dia \u012f rudeniui \u012fprastas premjeras, bet ir pristato …<\/p>\n","protected":false},"author":2,"featured_media":9179,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"yoast_head":"\nChoreografas Maciej Ku\u017ami\u0144ski: \u201eKad u\u017e\u010diuoptume savo tapatyb\u0119, tekt\u0173 sustabdyti laik\u0105\u201c - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2020\/09\/09\/choreografas-maciej-kuzminski-kad-uzciuoptume-savo-tapatybe-tektu-sustabdyti-laika\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Choreografas Maciej Ku\u017ami\u0144ski: \u201eKad u\u017e\u010diuoptume savo tapatyb\u0119, tekt\u0173 sustabdyti laik\u0105\u201c - 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