{"id":9311,"date":"2020-09-22T17:04:02","date_gmt":"2020-09-22T14:04:02","guid":{"rendered":"http:\/\/dance.lt\/new\/?p=9311"},"modified":"2021-01-27T13:17:59","modified_gmt":"2021-01-27T11:17:59","slug":"cirkas-del-kurio-negeda","status":"publish","type":"post","link":"https:\/\/dance.lt\/new\/2020\/09\/22\/cirkas-del-kurio-negeda\/","title":{"rendered":"Cirkas, d\u0117l kurio neg\u0117da"},"content":{"rendered":"

Be \u012f\u017eang\u0173 norisi pasid\u017eiaugti, kad lietuvi\u0173 kuriamas \u0161iuolaikinis cirkas pagaliau persirito \u012f nauj\u0105 etap\u0105. 2020-\u0173j\u0173 \u201eNaujojo cirko savaitgalyje\u201c surengtoje Lietuvos cirko popiet\u0117je parodyti \u0161e\u0161i spektakli\u0173 eskizai, \u012frod\u0119, kad jau galime kalb\u0117ti apie ankstyvos stadijos profesional\u0173 \u0161alies \u0161iuolaikin\u012f cirk\u0105. Tok\u012f, kurio atstovai pama\u017eu atranda savo skonius, leid\u017eian\u010dius kryptingiau vystyti ne tik technik\u0105, bet ir menin\u0119 i\u0161rai\u0161k\u0105, vis da\u017eniau i\u0161augan\u010di\u0105 i\u0161 profesini\u0173 pagrind\u0173, o ne poreikio dangstyti silpn\u0105 pasiruo\u0161im\u0105 disciplinoje.<\/p>\n

\"\"<\/a>
\nKanta Company, \u201eDrabu\u017eiai ir mes\u201c | Dainius Photo nuotraukos \/ Men\u0173 spaustuv\u0117 <\/em><\/p>\n

Tokiam poslinkiui mil\u017eini\u0161k\u0105 \u012ftak\u0105 neabejotinai tur\u0117jo Lietuvos cirko artist\u0173 studijos ir seminarai u\u017esienyje, suteik\u0119 progas mokytis i\u0161 geriausi\u0173 srities profesional\u0173, kasdien tobulinti pasirinktas disciplinas ir u\u017emegzti k\u016brybines partnerystes su kolegomis, da\u017enu atveju turin\u010diais ilgesn\u0119 profesinio tobul\u0117jimo patirt\u012f. Geriausias to pavyzdys \u2013 neseniai Lietuvoje \u012fsik\u016brusi trup\u0117 \u201eKanta Company\u201c, kuriai priklauso SaSak Salpaus<\/em> cirko Suomijoje mokykl\u0105 baig\u0119s K\u0119stas Matusevi\u010dius ir jo buvusios \u00a0bendramoksl\u0117s suom\u0117 Aino M\u00e4kip\u00e4\u00e4 bei amerikiet\u0117 Lyla Goldman. Lietuvos cirko popiet\u0117je trijul\u0117 parod\u0117 spektakl\u012f \u201eDrabu\u017eiai ir mes\u201c. <\/p>\n

\"\"<\/a>
\nKanta Company, \u201eDrabu\u017eiai ir mes\u201c | Dainius Photo nuotraukos \/ Men\u0173 spaustuv\u0117<\/em> <\/p>\n

Tai tradicin\u0117s strukt\u016bros darbas, kuriame numatyta tema, siu\u017eeto apmatai ir scenos, atskleid\u017eian\u010dios kiekvieno atlik\u0117jo disciplin\u0105 \u2013 kin\u0173 stulp\u0105, akrobatik\u0105 ant pakabinam\u0173 \u0161ilk\u0173, objekt\u0173 manipuliacijas. Scenas jungia grupiniai, daugiausia vaidybiniai intarpai. Lengva, smagi istorija apie nor\u0105 \u017eaisti ir kurti \u017eaidimo aik\u0161tel\u0119 bet kuriomis buitin\u0117mis aplinkyb\u0117mis, ilgainiui kiek pabosta d\u0117l gana \u201elygios\u201c dramaturgijos be ai\u0161kesn\u0117s kulminacijos ar i\u0161vad\u0173. Belieka tiesiog d\u017eiaugtis artist\u0173 geb\u0117jimais bei j\u0173 tyrin\u0117jam\u0173 cirko disciplin\u0173 atradimais. <\/p>\n

\"\"<\/a>
\nKanta Company, \u201eDrabu\u017eiai ir mes\u201c | Dainius Photo nuotraukos \/ Men\u0173 spaustuv\u0117<\/em> <\/p>\n

Be abejo, linijiniai siu\u017eetai \u0161iuolaikiniame cirke niekuomet nebuvo b\u016btinyb\u0117. Ta\u010diau kuriant valandos trukm\u0117s spektakl\u012f, kuriame tikimasi \u201epaimti\u201c publik\u0105 vien \u012fsp\u016bd\u017eiu, triuk\u0173 reikia mok\u0117ti kur kas daugiau ir \u012fsp\u016bdingesni\u0173 nei \u0161\u012fkart parod\u0117 \u201eKanta Company\u201c. Vis d\u0117lto ka\u017ein, ar Lietuvoje iki \u0161iol buvo sukurtas taip stipriai suver\u017etas ir profesionalia technika praturtintas \u0161iuolaikinio cirko darbas.<\/p>\n

\"\"<\/a>
\nKanta Company, \u201eDrabu\u017eiai ir mes\u201c | Dainius Photo nuotraukos \/ Men\u0173 spaustuv\u0117<\/em> <\/p>\n

Dar viena vaisinga ir Lietuvai palanki k\u016brybin\u0117 partneryst\u0117 \u2013 FLIC mokykl\u0105 Italijoje baigusio D\u017eiugo Kunsmano ir Adriano Carlo Bibiano duetas, \u017ei\u016brov\u0173 rato viduje \u012fkurdin\u0119s k\u016brin\u012f \u201eWhere do I connect?\u201c Tai \u2013 gana populiarios formos darbas, kuriame \u017ei\u016brovai apsup\u0119 stebi dviej\u0173 vyr\u0173 konkurencin\u0119 kov\u0105, o pastariesiems galiausiai u\u017emezgus tarpusavio ry\u0161\u012f, prie to prisid\u0117ti kvie\u010diama ir publika. <\/p>\n

\"\"<\/a>
\nD\u017eiugas Kunsmanas ir Adrian Carlo Bibiano, \u201eWhere do I connect?\u201c | Dainius Photo nuotraukos \/ Men\u0173 spaustuv\u0117<\/em><\/p>\n

Toks spektaklio turinys \u2013 vienas palankiausi\u0173 pristatyti naujai i\u0161moktas technikas, improvizuoti, pateisinti nepavykusias partneriavimo mizanscenas. Drauge jis reikalauja geb\u0117jmo valdyti publik\u0105 ir nat\u016braliai \u012fvesti \u017emones \u012f jiems (bet ne artistams) naujas aplinkybes. Artistai pasirinko sveikintinai adekva\u010di\u0105 spektaklio form\u0105, ta\u010diau to paties nesinori sakyti apie interakcij\u0105. Spektaklio pabaigoje \u017ei\u016brovai po vien\u0105 kvie\u010diami \u012f rato vidur\u012f ir raginami fizi\u0161kai nesilie\u010diant \u012fsiklausyti \u012f \u0161alia atsid\u016brusi\u0173j\u0173 judesius bei \u012f juos atsakyti, palaipsniui sudarant \u0161okan\u010di\u0173j\u0173 scenoje bendruomen\u0119. <\/p>\n

\"\"<\/a>
\nD\u017eiugas Kunsmanas ir Adrian Carlo Bibiano, \u201eWhere do I connect?\u201c | Dainius Photo nuotraukos \/ Men\u0173 spaustuv\u0117<\/em><\/p>\n

\u0160is procesas pradedamas nei i\u0161 \u0161io, nei i\u0161 to, tarsi nusprendus i\u0161sibandyti dar vien\u0105 triuk\u0105. Tod\u0117l \u017ei\u016brovui gali kilti klausimas, u\u017e k\u0105 jis traukiamas \u012f centr\u0105 ir raginamas megzti ry\u0161\u012f su nepa\u017e\u012fstamaisiais prie\u0161 daugyb\u0117s kit\u0173 nepa\u017e\u012fstam\u0173j\u0173 akis. Tiesa, stebint publik\u0105 pana\u0161u, kad situacij\u0105 kvestionuoja nedaugelis \u2013 beveik visi s\u0117d\u0117jusieji ratu pakluso Kunsmano ir Bibiano kvietimams ir sureng\u0117 sau smagi\u0105 \u0161vent\u0119, pagaliau leidusi\u0105 pab\u016bti bendruomen\u0117je, nuo kurios kelet\u0105 m\u0117nesi\u0173 visi buvome bandomi atgrasyti. Vis d\u0117lto b\u016bt\u0173 \u012fdomu po toki\u0173 spektakli\u0173 surengti apklausas apie \u017ei\u016brov\u0173 poj\u016b\u010dius ir sprendimus kilti \u012f rato vidur\u012f. Neabejoju, kad i\u0161girstume \u012fvairi\u0173 prie\u017eas\u010di\u0173: nor\u0117jau pasinaudoti privilegijuotu kvietimu; atrod\u0117, kad gali b\u016bti smagu; nenor\u0117jau \u012f\u017eeisti artist\u0173. Ir taip toliau.<\/p>\n

\"\"<\/a>
\nD\u017eiugas Kunsmanas ir Adrian Carlo Bibiano, \u201eWhere do I connect?\u201c | Dainius Photo nuotraukos \/ Men\u0173 spaustuv\u0117<\/em><\/p>\n

Vieninteliai Lietuvos cirko popiet\u0117s spektakliai, visi\u0161kai palik\u0119 ramyb\u0117je publik\u0105 \u2013 Konstanino Kosoveco \u201eR.L.42\u201c ir Elenos Kosovec \u201eNionia\u201c. Abiej\u0173 pagrindas \u2013 virv\u0117s disciplina, tik jos panaudojimas skirtingas. K. Kosoveco darbas labiausiai \u017eavi did\u017eiule fizine i\u0161tverme, pus\u0117s valandos trukm\u0117s pasirodyme atlik\u0117jui n\u0117kart nenulipant nuo virv\u0117s. <\/p>\n

\"\"<\/a>
\nKonstanin Kosovec, \u201eR.L.42\u201c | Dainius Photo nuotraukos \/ Men\u0173 spaustuv\u0117<\/em><\/p>\n

Toks sprendimas \u2013 svarbiausias pasirodymo variklis, nes energijos t\u0117km\u0119 \u010dia palaiko b\u016btent nenusl\u016bgstanti raumen\u0173 \u012ftampa bei nuolatinis sav\u0119s kilstel\u0117jimas auk\u0161tyn, kai, atrodyt\u0173, nat\u016braliai ateina laikas leistis ant \u017eem\u0117s. Nuostabu matyti kasmet tobul\u0117jan\u010di\u0105 artisto technik\u0105 (nuo \u0161i\u0173 met\u0173 tobul\u0117jimas t\u0119sis vienoje geriausi\u0173 Skandinavijos \u0161iuolaikinio cirko mokykl\u0173 DOCH), suteikian\u010di\u0105 jam vis daugiau laisv\u0117s bei galimybi\u0173 atlikti naujus triukus. <\/p>\n

\"\"<\/a>
\nKonstanin Kosovec, \u201eR.L.42\u201c | Dainius Photo nuotraukos \/ Men\u0173 spaustuv\u0117<\/em><\/p>\n

Tai leid\u017eia publikai patirti pamatin\u012f cirko d\u017eiaugsm\u0105 \u2013 \u012fsibaiminim\u0105 ir atsipalaidavim\u0105, suvokus, kad kas atrod\u0117 pavojinga, scenoje esan\u010diam \u017emogui tikrai pakeliama. Glumina tik tai, kad menine prasme K. Kosovecas atrodo bene de\u0161imtmet\u012f besisukantis tame pa\u010diame rate. \u201eR.L.42\u201c, kaip ir daugum\u0105 kit\u0173 jo pasirodym\u0173, galima apib\u016btinti pana\u0161iais epitetais: simboli\u0161kas, jautrus, lyri\u0161kas, sporadi\u0161kai \u012fsp\u016bdingas.<\/p>\n

\"\"<\/a>
\nKonstanin Kosovec, \u201eR.L.42\u201c | Dainius Photo nuotraukos \/ Men\u0173 spaustuv\u0117<\/em><\/p>\n

Kitomis akimis darb\u0105 su virve mato Elena Kosovec, ir viena prie\u017eas\u010di\u0173, be abejo, yra kur kas ma\u017eesn\u0117 technikos tobulinimo patirtis. Taip pat ir i\u0161silavinimas \u2013 CNAC-ESAC mokykl\u0173 jungtiniame kurse cirko dramaturgijos mokiusis artist\u0117, pana\u0161u, b\u016btent\u00a0 \u0161iais pagrindais par\u0117m\u0117 savo dvide\u0161imties minu\u010di\u0173 eskiz\u0105. <\/p>\n

\"\"<\/a>
\nElena Kosovec, \u201eNionia\u201c | Dainius Photo nuotraukos \/ Men\u0173 spaustuv\u0117<\/em><\/p>\n

Virv\u0117 \u010dia atrodo tarsi geras draugas, maloni prieb\u0117ga, kurioje atsid\u016brusi Nionia \u0161iek tiek nurimsta ir jos d\u0117mesys nuo vidinio sutrikimo nukrypsta \u012f malon\u0173 supim\u0105si, lengvinan\u010di\u0105 b\u016bsen\u0105, kuri\u0105 jai pa\u010diai sunku suprasti. \u201eNionia\u201c \u2013 kol kas ma\u017eiausiai i\u0161baigtas i\u0161 vis\u0173 Lietuvos cirko popiet\u0117je pasirod\u017eiusi\u0173 darb\u0173, taip pat silpniausias technikos pa\u017einimo prasme. Vis d\u0117lto id\u0117ji\u0161kai jis atrodo turintis daug erdv\u0117s augti, nes pagrindiniai E. Kosovec tyrimo objektai \u2013 jos pa\u010dios patirtys ir b\u016bsenos.<\/p>\n

\"\"<\/a>
\nElena Kosovec, \u201eNionia\u201c | Dainius Photo nuotraukos \/ Men\u0173 spaustuv\u0117<\/em><\/p>\n

Just\u0117s Liaugaud\u0117s ir Indr\u0117s Petrauskien\u0117s klounados spektaklis \u201eSkrydis\u201c u\u017egim\u0117 prie\u0161 kiek daugiau nei metus ir yra vienas pavyzd\u017ei\u0173, kaip laiko, praktikos ir savianaliz\u0117s d\u0117ka patys k\u016br\u0117jai gali \u201ei\u0161gelb\u0117ti\u201c silpnus darbus. <\/p>\n

\"\"<\/a>
\nJust\u0117 Liaugaud\u0117 ir Indr\u0117 Petrauskien\u0117, \u201eSkrydis\u201c | Dainius Photo nuotraukos \/ Men\u0173 spaustuv\u0117<\/em><\/p>\n

Lyginant su 2019-\u0173j\u0173 \u201eCirkuliacijos\u201c festivalyje parodytu \u201eSkryd\u017eiu\u201c, \u0161iandien publikai, kuriai anks\u010diau tekdavo atidirbin\u0117ti did\u017ei\u0105j\u0105 spektaklio dal\u012f, keliama kur kas ma\u017eiau reikalavim\u0173. Vis d\u0117lto i\u0161liko ilgainiui g\u0105sdinti pradedantis priekabiavimas, nes aktor\u0117s leid\u017eia sau dr\u0105siai s\u0117stis ar gultis pasirinktam \u017ei\u016brovui ant keli\u0173. \u201eLaimingasis\u201c stipriai neprie\u0161taravo, ta\u010diau i\u0161 \u0161alies situacija atrod\u0117 gr\u012fsta seksistiniais stereotipais: mes, seksualiai atrodan\u010dios ir drauge pa\u017eeid\u017eiamos moterys, tod\u0117l gra\u017eiai paraginti ar tiesiog u\u017epulti vyrai privalo daryti tai, ko i\u0161 j\u0173 reikalaujam. \u017dinoma, tik d\u0117l spektaklio.<\/p>\n

\"\"<\/a>
\nJust\u0117 Liaugaud\u0117 ir Indr\u0117 Petrauskien\u0117, \u201eSkrydis\u201c | Dainius Photo nuotraukos \/ Men\u0173 spaustuv\u0117<\/em><\/p>\n

Min\u0117tos scenos atspindi ir menines problemas. I\u0161 principo \u201eSkrydis\u201c pa\u017eeng\u0119s pakankamai toli: k\u016br\u0117jos i\u0161grynino persona\u017e\u0173 charakterius, tikslingai i\u0161skyr\u0117 statusus, sud\u0117liojo svarbiausius veiksmo akcentus ir palaipsniui atved\u0117 prie tos pa\u010dios kulminacijos, kaip ir prie\u0161 metus. Kiek problemati\u0161ka tai, kad aktor\u0117s, nuolat skirian\u010dios d\u0117mes\u012f \u017ei\u016brovams, beveik visuomet primetin\u0117ja jiems savo siu\u017eet\u0105, beveik nieko jam nepaimdamos i\u0161 susirinkusi\u0173j\u0173. <\/p>\n

\"\"<\/a>
\nJust\u0117 Liaugaud\u0117 ir Indr\u0117 Petrauskien\u0117, \u201eSkrydis\u201c | Dainius Photo nuotraukos \/ Men\u0173 spaustuv\u0117<\/em><\/p>\n

Pirma \u2013 taip k\u016br\u0117jos atsisako geriausi\u0173 ir i\u0161skirtiniausi\u0173 klounados ypatybi\u0173. Antra \u2013 \u201eSkryd\u017eio\u201c siu\u017eetas remiasi stiuardesi\u0173 bandymu \u00a0suvaldyti nekontroliuojam\u0105 pad\u0117t\u012f, ta\u010diau aktor\u0117s r\u0117ksmingais balsais ir i\u0161rai\u0161kingais judesiais i\u0161 paskutini\u0173j\u0173 stengiasi \u201e\u010dia ir dabar\u201c situacijoje eliminuoti visk\u0105, kas gal\u0117t\u0173 b\u016bti gresia tapti j\u0173 nekontroliuojama. Tai n\u0117ra logi\u0161ka: aktor\u0117s ignoruoja nevaldom\u0105 realyb\u0119 ir drauge pa\u010dios imituoja nekontroliuojamas situacijas.<\/p>\n

\"\"<\/a>
\nJust\u0117 Liaugaud\u0117 ir Indr\u0117 Petrauskien\u0117, \u201eSkrydis\u201c | Dainius Photo nuotraukos \/ Men\u0173 spaustuv\u0117<\/em><\/p>\n

Viena s\u0117kmingiausi\u0173 Lietuvos klounados atstovi\u0173 laikoma Marija Baranauskait\u0117, ne vien\u0105 semestr\u0105 praleidusi Phillipe\u2019o Gauliero mokykloje Pary\u017eiuje. \u0160iandien, pra\u0117jus keletui met\u0173 po pirmojo \u201eSofos projekto\u201c pasirodymo ir Lietuvos cirko popiet\u0117je pristatyto k\u016br\u0117jos koordinuoto \u201ePasaulio aplink sof\u0105\u201c, darosi vis sud\u0117tingiau apibr\u0117\u017eti jos stili\u0173, taip nebesinori ie\u0161koti lentyn\u0117l\u0117s, \u012f kuri\u0105 b\u016bt\u0173 galima j\u0105 pad\u0117ti. <\/p>\n

\"\"<\/a>
\nMarija Baranauskait\u0117, \u201ePasaulis aplink sof\u0105\u201c | Dainius Photo nuotraukos \/ Men\u0173 spaustuv\u0117<\/em><\/p>\n

Baranauskait\u0117s projektai orientuoti \u012f bandym\u0105 \u0161imtu procent\u0173 patik\u0117ti tuo, k\u0105 \u017emonija i\u0161 principo neigia, ir paraginti \u017ei\u016brovus s\u0105moningai daryti dalykus, kuriuos darydami paprastai jaust\u0173si absoliu\u010diai kvailai. \u201ePasaulis aplink sof\u0105\u201c \u2013 karantino metu vykdytas projektas, kuriam i\u0161 67 parai\u0161k\u0173 atrinkti 7 menininkai, k\u016br\u0119 spektaklius baldams ar daiktams. Visi jie per ZOOM program\u0105 \u00a0pristatyti Men\u0173 spaustuv\u0117s Studijoje II, moderuojant lietuvi\u0173 komandai \u2013 Marijai Baranauskaitei, Eglei Ne\u0161ukaitytei ir Evitai Mikalk\u0117naitei. <\/p>\n

\"\"<\/a>
\nMarija Baranauskait\u0117, \u201ePasaulis aplink sof\u0105\u201c | Dainius Photo nuotraukos \/ Men\u0173 spaustuv\u0117<\/em><\/p>\n

Kaip ir \u201eSofos projekte\u201c, \u017ei\u016brovams nuo pat prad\u017ei\u0173 skiepyta mintis, kad \u0161is spektaklis skirtas ne jiems, o baldams ir daiktams. Grei\u010diausiai b\u016btent tai daugum\u0105 \u017emoni\u0173 paskatino veikti pagal k\u016br\u0117j\u0173 nurodymus: \u0161okti su daiktais, sakyti jiems meil\u0117s \u017eod\u017eius, vyniotis \u012f kilimus ir taip toliau. <\/p>\n

\"\"<\/a>
\nMarija Baranauskait\u0117, \u201ePasaulis aplink sof\u0105\u201c | Dainius Photo nuotraukos \/ Men\u0173 spaustuv\u0117<\/em><\/p>\n

Tai kol kas atrodo pats \u012fdomiausias pastar\u0173j\u0173 met\u0173 M. Baranauskait\u0117s projekt\u0173 pasiekimas: ji sugeba sukurti s\u0105lygas, kuriose mes, \u017ei\u016brovai, renginyje nesijau\u010diame patys svarbiausi; u\u017etat jau\u010diame pareig\u0105, nor\u0105 ir\/ar d\u017eiaugsm\u0105 prisid\u0117ti prie spektaklio k\u016brimo ka\u017ekam kitam. Ir galiausiai patiriame tiek jausm\u0173, kiek atsiliepiame \u012f menininki\u0173 kvietimus kurti drauge.<\/p>\n

\"\"<\/a>
\nMarija Baranauskait\u0117, \u201ePasaulis aplink sof\u0105\u201c | Dainius Photo nuotraukos \/ Men\u0173 spaustuv\u0117<\/em><\/p>\n

\u0160tai toki\u0105 \u0161iandienin\u0119 Lietuvos cirko panoram\u0105 atv\u0117r\u0117 Lietuvos cirko popiet\u0117. Nor\u0117t\u0173si tik\u0117ti, kad sunkiausias \u2013 pradinis \u2013 \u017eanro kelion\u0117s \u012f Lietuv\u0105 etapas jau praeitas. \u0160iuo metu \u0161alyje jau veikia keletas skirting\u0173 skoni\u0173, kryp\u010di\u0173 ir technik\u0173 komand\u0173, \u017eengian\u010di\u0173 pirmus i\u0161 ties\u0173 profesionalius \u017eingsnius. Be to, pastarosiomis savait\u0117mis paskelbta, kad spal\u012f Kaune bus atidarytas \u0161iuolaikinio cirko centras \u201eCirko Sapiens\u201c. Vadinasi, atsiranda erdvi\u0173, kuriose profesionalai ves ma\u017eiesiems technikos ir menin\u0117s rai\u0161kos pamokas,, augindami vis daugiau \u017emoni\u0173, galin\u010di\u0173 mokytis stipriose u\u017esienio cirko mokyklose ir gr\u012f\u017eti \u012f Lietuv\u0105 pristatyti savo k\u016brybos drauge su kolegomis. Jei tik tam bus erdv\u0117s.<\/p>\n

\u0160tai tokie derlingi cirko metai.<\/p>\n

______<\/p>\n

Projekt\u0105 \u201e\u0160okio, cirko aktualijos: analiz\u0117, naujienos, ugdymas\u201c dalinai finansuoja Spaudos, radijo ir televizijos r\u0117mimo fondas.<\/p>\n

\"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Be \u012f\u017eang\u0173 norisi pasid\u017eiaugti, kad lietuvi\u0173 kuriamas \u0161iuolaikinis cirkas pagaliau persirito \u012f nauj\u0105 etap\u0105. 2020-\u0173j\u0173 \u201eNaujojo cirko savaitgalyje\u201c surengtoje Lietuvos …<\/p>\n","protected":false},"author":2,"featured_media":9315,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nCirkas, d\u0117l kurio neg\u0117da - Lithuanian Dance Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dance.lt\/new\/2020\/09\/22\/cirkas-del-kurio-negeda\/\" \/>\n<meta property=\"og:locale\" content=\"lt_LT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cirkas, d\u0117l kurio neg\u0117da - Lithuanian Dance Centre\" \/>\n<meta property=\"og:description\" content=\"Be \u012f\u017eang\u0173 norisi pasid\u017eiaugti, kad lietuvi\u0173 kuriamas \u0161iuolaikinis cirkas pagaliau persirito \u012f nauj\u0105 etap\u0105. 2020-\u0173j\u0173 \u201eNaujojo cirko savaitgalyje\u201c surengtoje Lietuvos ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dance.lt\/new\/2020\/09\/22\/cirkas-del-kurio-negeda\/\" \/>\n<meta property=\"og:site_name\" content=\"Lithuanian Dance Centre\" \/>\n<meta property=\"article:published_time\" content=\"2020-09-22T14:04:02+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-01-27T11:17:59+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2020\/09\/Cirkas2-119-1100x734.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1100\" \/>\n\t<meta property=\"og:image:height\" content=\"734\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"dance\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"9 minut\u0117s\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dance.lt\/new\/#website\",\"url\":\"https:\/\/dance.lt\/new\/\",\"name\":\"Lithuanian Dance Centre\",\"description\":\"LDC\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dance.lt\/new\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"lt-LT\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/2020\/09\/22\/cirkas-del-kurio-negeda\/#primaryimage\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2020\/09\/Cirkas2-119.jpg\",\"contentUrl\":\"https:\/\/dance.lt\/new\/wp-content\/uploads\/2020\/09\/Cirkas2-119.jpg\",\"width\":3200,\"height\":2136},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/dance.lt\/new\/2020\/09\/22\/cirkas-del-kurio-negeda\/#webpage\",\"url\":\"https:\/\/dance.lt\/new\/2020\/09\/22\/cirkas-del-kurio-negeda\/\",\"name\":\"Cirkas, d\\u0117l kurio neg\\u0117da - Lithuanian Dance Centre\",\"isPartOf\":{\"@id\":\"https:\/\/dance.lt\/new\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/dance.lt\/new\/2020\/09\/22\/cirkas-del-kurio-negeda\/#primaryimage\"},\"datePublished\":\"2020-09-22T14:04:02+00:00\",\"dateModified\":\"2021-01-27T11:17:59+00:00\",\"author\":{\"@id\":\"https:\/\/dance.lt\/new\/#\/schema\/person\/3aa80bdc383544c068cc181238cdb252\"},\"breadcrumb\":{\"@id\":\"https:\/\/dance.lt\/new\/2020\/09\/22\/cirkas-del-kurio-negeda\/#breadcrumb\"},\"inLanguage\":\"lt-LT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/dance.lt\/new\/2020\/09\/22\/cirkas-del-kurio-negeda\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/dance.lt\/new\/2020\/09\/22\/cirkas-del-kurio-negeda\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/dance.lt\/new\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Cirkas, d\\u0117l kurio neg\\u0117da\"}]},{\"@type\":\"Person\",\"@id\":\"https:\/\/dance.lt\/new\/#\/schema\/person\/3aa80bdc383544c068cc181238cdb252\",\"name\":\"dance\",\"image\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/dance.lt\/new\/#personlogo\",\"inLanguage\":\"lt-LT\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/6488e8bc4c288766b279be0b8c8f8f0e?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/6488e8bc4c288766b279be0b8c8f8f0e?s=96&d=mm&r=g\",\"caption\":\"dance\"},\"url\":\"https:\/\/dance.lt\/new\/author\/dance\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Cirkas, d\u0117l kurio neg\u0117da - Lithuanian Dance Centre","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/dance.lt\/new\/2020\/09\/22\/cirkas-del-kurio-negeda\/","og_locale":"lt_LT","og_type":"article","og_title":"Cirkas, d\u0117l kurio neg\u0117da - Lithuanian Dance Centre","og_description":"Be \u012f\u017eang\u0173 norisi pasid\u017eiaugti, kad lietuvi\u0173 kuriamas \u0161iuolaikinis cirkas pagaliau persirito \u012f nauj\u0105 etap\u0105. 2020-\u0173j\u0173 \u201eNaujojo cirko savaitgalyje\u201c surengtoje Lietuvos ...","og_url":"https:\/\/dance.lt\/new\/2020\/09\/22\/cirkas-del-kurio-negeda\/","og_site_name":"Lithuanian Dance Centre","article_published_time":"2020-09-22T14:04:02+00:00","article_modified_time":"2021-01-27T11:17:59+00:00","og_image":[{"width":1100,"height":734,"url":"https:\/\/dance.lt\/new\/wp-content\/uploads\/2020\/09\/Cirkas2-119-1100x734.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Written by":"dance","Est. reading time":"9 minut\u0117s"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebSite","@id":"https:\/\/dance.lt\/new\/#website","url":"https:\/\/dance.lt\/new\/","name":"Lithuanian Dance Centre","description":"LDC","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/dance.lt\/new\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"lt-LT"},{"@type":"ImageObject","@id":"https:\/\/dance.lt\/new\/2020\/09\/22\/cirkas-del-kurio-negeda\/#primaryimage","inLanguage":"lt-LT","url":"https:\/\/dance.lt\/new\/wp-content\/uploads\/2020\/09\/Cirkas2-119.jpg","contentUrl":"https:\/\/dance.lt\/new\/wp-content\/uploads\/2020\/09\/Cirkas2-119.jpg","width":3200,"height":2136},{"@type":"WebPage","@id":"https:\/\/dance.lt\/new\/2020\/09\/22\/cirkas-del-kurio-negeda\/#webpage","url":"https:\/\/dance.lt\/new\/2020\/09\/22\/cirkas-del-kurio-negeda\/","name":"Cirkas, d\u0117l kurio neg\u0117da - Lithuanian Dance Centre","isPartOf":{"@id":"https:\/\/dance.lt\/new\/#website"},"primaryImageOfPage":{"@id":"https:\/\/dance.lt\/new\/2020\/09\/22\/cirkas-del-kurio-negeda\/#primaryimage"},"datePublished":"2020-09-22T14:04:02+00:00","dateModified":"2021-01-27T11:17:59+00:00","author":{"@id":"https:\/\/dance.lt\/new\/#\/schema\/person\/3aa80bdc383544c068cc181238cdb252"},"breadcrumb":{"@id":"https:\/\/dance.lt\/new\/2020\/09\/22\/cirkas-del-kurio-negeda\/#breadcrumb"},"inLanguage":"lt-LT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/dance.lt\/new\/2020\/09\/22\/cirkas-del-kurio-negeda\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/dance.lt\/new\/2020\/09\/22\/cirkas-del-kurio-negeda\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/dance.lt\/new\/en\/"},{"@type":"ListItem","position":2,"name":"Cirkas, d\u0117l kurio neg\u0117da"}]},{"@type":"Person","@id":"https:\/\/dance.lt\/new\/#\/schema\/person\/3aa80bdc383544c068cc181238cdb252","name":"dance","image":{"@type":"ImageObject","@id":"https:\/\/dance.lt\/new\/#personlogo","inLanguage":"lt-LT","url":"https:\/\/secure.gravatar.com\/avatar\/6488e8bc4c288766b279be0b8c8f8f0e?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/6488e8bc4c288766b279be0b8c8f8f0e?s=96&d=mm&r=g","caption":"dance"},"url":"https:\/\/dance.lt\/new\/author\/dance\/"}]}},"_links":{"self":[{"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/posts\/9311"}],"collection":[{"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/comments?post=9311"}],"version-history":[{"count":4,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/posts\/9311\/revisions"}],"predecessor-version":[{"id":9338,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/posts\/9311\/revisions\/9338"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/media\/9315"}],"wp:attachment":[{"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/media?parent=9311"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/categories?post=9311"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dance.lt\/new\/wp-json\/wp\/v2\/tags?post=9311"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}